TAZ — Multidisciplinary Creative / Creative Director
I build worlds around ideas — brands, artists, events, products and cultural moments — then carry them through film, design and experience.
The project is not the story. The creative decision is.
— How this archive is organisedTaking one idea and building the whole world around it — identity, content, culture, product. Outbox Productions is the clearest proof: a creative house I helped build from nothing.
A three-person creative house. My first company. Six months.
No prior company experience — I learned it by building it. I directed the social content, closed the clients through direct, person-to-person outreach, and shaped the identity, the merch, and the body of commercial and event work that came out of one small room.
Apparel — full color run
Identity — the mark
Treatment — the deckConcept to delivery, in-house — I cast, produce, direct, shoot, grade and cut. Commercials, music videos, events and brand films, each a completely different register. Click any frame to play with sound.
A pop-culture-loaded concept spot — shot and cut in-house. A whole recognizable world rebuilt on a small budget, engineered to make the feed do a double-take.
A mood-led hospitality spot — lighting, pacing and grade doing the selling. Same discipline as the film above, a completely different register. That range is the point.
Artist storytelling — concept, direction and edit in service of the record and the artist's world. Click to play the full video with sound.
A combat-sports brand film — kinetic and high-energy, cut to the intensity of the sport. Shot and edited to make you feel the impact.
An early horror short — where the visual language was still developing. Written, directed and cut in-house. Kept as an archive piece: the instinct before the polish.
Identity across the brands, artists and ventures I've built — logo systems, brand marks, wordmarks and profile identities. One visual instinct, many worlds.
The hands make LV. Las Vegas — born and raised.
So "LV" was never just initials inside a logo. And the vice is personal too: my biggest one has always been creating — obsessively. Film, design, music, branding, ideas, building things, finding new ways to say something visually. Love My Vices turns that into an identity — embrace what you can't stop loving, and put it into the work.
wae. TV
Listening2Hits — mark
The Creator Vocabulary
HUD Drama — mark
Impact Combat Sports — profile
Longo Ristorante — badge
Tha Creative Couple — profile
Vice Nites — sub-brand
Love My Vices — wordmark
Outbox October — campaign lockupWebsites, platforms and interfaces — designed and, in cases like this archive, built. The look and the behaviour are the same decision.
No template, no page-builder. Each of these was designed and built end to end — the same instinct applied to a product surface instead of a page.
How work actually moves — artists, audiences, internet culture, music and community. My own history as an artist sits underneath all of it. Much of that archive is still being pulled together.
Cover art — art direction
On set — filming & producing
A Series of Fortunate Events — photographyI don't make one-off posts — I build systems. The clearest proof: Outbox October, a horror short-film festival I created and creative-directed end to end at AREA15.
Four original films.
One haunted night.
A horror short-film festival I created and ran end to end — staged inside The Portal at AREA15, Las Vegas. One idea turned into a whole night: the concept and pitch, the identity, four original films, a set you walk into, wrap-around projection, a promo campaign, and the recap that made people wish they'd been there.
"Bruja" — created by Taz
"You're Hired"
"Isolation's Grip"
Key art — now screening
Projection — All Art & Visuals by Taz
The Night
The Room — Rehearsal Night
Wraparound projection — liveOne idea, built across concept, design, film, promo and a physical space people showed up to. The same instinct scales to any brand, city, or team.
The real job of creative direction isn't making content — it's making people care. Here's the kind of work I lead, and the instincts behind it. Relevant to any brand, artist, city, or organisation that lives or dies on how much people love it.
Turning an audience into a community that shows up — the difference between viewers and members.
Films that make people feel something before they think anything. Cinematic, not corporate.
Reading a place — its slang, pride and image — and turning it into work locals defend as theirs. I build in Las Vegas.
Designing the recurring moments people plan their year around — seasons, drops, nights.
Directing real people so their character comes through — artists today, any public figure tomorrow.
Built for the feed natively — vertical, fast, made to be shared, not repurposed.
Event films and activations that bottle the feeling of being in the room that night.
Making the badge people want to wear — where brand love becomes something physical.
I'm a Las Vegas-based multidisciplinary creative working across design, film, music, branding, digital and live experiences.
I've built visual identities, campaigns, music videos, websites, commercials, social content, events and original platforms — usually from the blank page all the way to final delivery.
I direct and I build. An idea doesn't die in a deck — I carry it through production, design, edit and launch without losing the thread.
Let's
make
something.